记录片 我最大的敌人

我最大的敌人

影片信息

  • 片名:我最大的敌人
  • 状态:HD
  • 主演:扎拉·阿米尔·阿布拉希米/
  • 导演:梅赫兰·塔马顿/
  • 年份:2023
  • 地区:法国
  • 类型:记录/
  • 时长:内详
  • 上映:未知
  • 语言:其它
  • 更新:2025-10-29 23:16
  • 简介:   Mehran Tamadon explores what it was like being interrogated by the Iranian regime by asking prisoners to reconstruct their experiences.  Alongside his companion film Where God Is Not, My Worst Enemy finds Tamadon shifting focus from the interrogated to the interrogator. The filmmaker sought an individual who had been interrogated by Iranian authorities in order to draw on their experiences to play an interrogator. The role finally fell to the Cannes-winning lead actor of Holy Spider, Zar Amir Ebrahimi. Together in an anonymous room, with Tamadon stripped to his underwear, they reconstruct the interrogation process, which gradually becomes an examination of the nature of power and coercion. The resulting film is intense and, at times, uncomfortable. And as it progresses, My Worst Enemy becomes an exploration of cinema’s relationship with its audience, questioning whether there is a limit to what it can show.
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       最新免费电影_热门电影在线观看_快看影视全网精选,www.moguvodw.com 第一时间更新《我最大的敌人》免费在线观看,我最大的敌人于2025-10-29在法国上映,是一部备受期待的记录片佳作,影片由扎拉·阿米尔·阿布拉希米主演。欢迎收藏最新免费电影_热门电影在线观看_快看影视网,获取更多热门影视资源。
  Mehran Tamadon explores what it was like being interrogated by the Iranian regime by asking prisoners to reconstruct their experiences.  Alongside his companion film Where God Is Not, My Worst Enemy finds Tamadon shifting focus from the interrogated to the interrogator. The filmmaker sought an individual who had been interrogated by Iranian authorities in order to draw on their experiences to play an interrogator. The role finally fell to the Cannes-winning lead actor of Holy Spider, Zar Amir Ebrahimi. Together in an anonymous room, with Tamadon stripped to his underwear, they reconstruct the interrogation process, which gradually becomes an examination of the nature of power and coercion. The resulting film is intense and, at times, uncomfortable. And as it progresses, My Worst Enemy becomes an exploration of cinema’s relationship with its audience, questioning whether there is a limit to what it can show.

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